Widely considered its greatest achievement, Ella’s Songbook Records, with unrivaled renditions of the best songs by America’s greatest composers, is the cornerstone of the Verve catalog and the undisputed standard for jazz vocal recordings. At the first Grammy Awards, she IrvingBerlin The album earned Ella her first Grammy for “Best Female Vocal Performance” and was also nominated for “Album of the Year”. Aside from the lucky audience at the Hollywood Bowl that night, it was not generally known, until these tapes were discovered, that Ella had ever performed any of the Songbook arrangements in concert, let alone that such a pristine and sonically sumptuous recording existed. .

On June 24, Verve/UMe will proudly release the complete, previously unreleased 15-song performance, aptly titled, Ella At The Hollywood Bowl: The Irving Berlin Songbook, on CD, vinyl, limited edition yellow splatter vinyl and digitally. This historic disc, discovered in the private collection of the producer and founder of Verve Records Norman Granz, marks the first time a live songbook has been released from Ella. It is also significant in that it captures the only time Ella worked in concert with the arranger-conductor Paul Weston. And, while she performs regularly at the Hollywood Bowl, this is Ella’s first full concert from the iconic venue to come out (notably, Ella has been featured prominently on Verve’s Jazz at the Hollywood Bowl album, recorded and released in 1956, the year Granz formed the label). Live tracks were mixed from the original ¼” tapes by the Grammy Award-winning producer and musician Gregg field who played drums for Ella in her later years. The album is completed with insightful liner notes on the concert and Ella’s Songbook series by renowned author and music critic, Will Friedwald.

Ella At The Hollywood Bowl: The Irving Berlin Songbook is available for pre-order now and is previewed with an animated rendition of “Puttin’ on the Ritz.” The song debuts today, accompanied by an animated video, directed by Alberto Baroniwhich skillfully brings the song and At Giulia Pelizzaro’s dynamic album cover to life.

Pre-order the album here: https://EllaFitzgerald.lnk.to/HollywoodBowlPR
Listen/watch/share “Puttin’ On The Ritz” here: https://EllaFitzgerald.lnk.to/OnTheRitzVidPR

While Ella’s live appearances had evolved over the years from her early big band years where she sang mostly in ballrooms with the Chick Webb Orchestra to supper clubs, theaters and halls of concert, she mostly stuck to a nightclub format of performing a selection of songs accompanied by a trio. This performance at the Hollywood Bowl was incredibly unique for her. As Friedwald reveals in the one-liners, “But to get on stage – with a full orchestra – and basically sing the stuff of a studio album, well, nobody did. Not Sinatra, not Tony Bennettdo not Miles Davis, nor any of the other key innovators who helped develop what became known as “the concept album”. Friedwald continues, “So exactly why did Fitzgerald and Granz choose to confront this particular music and dance in this singular way? We may never know, but the logical answer is that the songbooks turned out to be to be such an important part of his budding career that… Fitzgerald and Granz were determined to do something special in honor of the ongoing series.”

And it was special. Across 15 songs, Ella and the orchestra performed dazzling arrangements of some of the Irving Berlin best-known songs including classic ballads”How deep is the ocean” and “supper time“, Hollywood tunes”Are you kidding me” and “Get behind me Satan“and rhythmic numbers”Cheek to cheek,” “top hat,” “Got my love to keep me warm,” “Heat wave,” and “Puttin’ on the Ritz.” The concert appears with an electricity not found on the studio recording as Ella feeds off the energy and enthusiasm of the crowd, whose applause and adulation complete each song. .

The Hollywood Bowl, which celebrates its centennial this year, has been an important part of Ella’s life. She made her Bowl debut alongside Louis Armstrong in 1956 during a star program, which was released as a double LP, Jazz at the Hollywood Bowl. Ella holds the rare distinction of having sold out the Hollywood Bowl in each of the five decades from the 1950s through the 1990s. In addition to headlining several times, Ella, who lived in Los Angeles for much of her career, also performed as part of the annual Playboy Jazz Festival; her last appearance was a few years before her death in 1996. Learn more about Ella and her history with the Hollywood Bowl here: https://www.hollywoodbowl.com/about/watch-and-listen/bowl-history-spotlight-ella-fitzgerald

The voice of Ella Fitzgeraldthe songs of IrvingBerlinthe timeless arrangements of Paul Weston with an orchestra at the Hollywood Bowl, Ella At The Hollywood Bowl: The Irving Berlin Songbook is the pinnacle of American song – live and like never before.


Nicknamed “The First Lady of Song”, Ella Fitzgerald (1917-1996) was the most popular jazz singer in United States for more than half a century. During her lifetime, she sold over 40 million albums and received nearly every honor an artist could dream of winning, including the Kennedy Center Honor (1979), the National Medal of Arts (1987), France Commander of Arts and Letters (1990), the Presidential Medal of Freedom (1992) and 13 Grammy Awards. In 2007, the United States Postal Service honored Fitzgerald with a postage stamp.

In her six-decade long career, the queen of jazz has recorded more than 200 albums and around 2,000 songs, making her the most-recorded – and second-most-recorded – female performer in history. Among these recordings are works with some of the greatest musicians and legendary songwriters in history.

Fitzgerald’s distinct style has influenced several generations of singers and his work transcends generations and musical genres. She had extraordinary vocal range and flexibility and possessed an uncanny gift for pitch, rhythmic sense and flawless diction. Immensely versatile, she could sing everything from jazz and bebop to ballads, swing, pop and rock. With an unparalleled ability for mimicry and “scat” singing, Fitzgerald also produced melodic lines that place her in the category of great instrumental improvisers. His voice was supple, extended, precise and ageless.

She died of complications from diabetes, dying in her beverly hills at home on June 15, 1996.

The Ella Fitzgerald Charitable Foundation was established and funded in 1993 by Ella Fitzgerald in order to fulfill his desires to use the fruits of his success to help people of all races, cultures and creeds. Fitzgerald hoped to make their lives more fulfilling, and she wanted to foster a love of reading, as well as a love of music. Additionally, she hoped to provide assistance to at-risk and disadvantaged members of our communities – assistance that would enable them to achieve a better quality of life. The Ella Fitzgerald Charitable Foundation board seeks to pursue by Ella Fitzgerald goals by making charitable grants in service of four primary areas of focus: creating educational and other opportunities for children; promote the love and knowledge of music; including support for music students; provision of health care; food, shelter and counseling for people in need; and specific areas of medical care and research with an emphasis on diabetes, vision problems and heart disease.


  1. The song is over
  2. Are you kidding me
  3. How deep is the ocean
  4. Heat wave
  5. supper time
  6. Cheek to cheek
  7. Russian lullaby
  8. Top hat white tie and tailcoat
  9. Got my love to keep me warm
  10. Get behind me Satan
  11. Let’s face the music and the dance
  12. Still
  13. Puttin’ on the Ritz
  14. Let yourself go
  15. Alexander Ragtime Band


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