Lila Drew, Beach Weather, Patrick Wolf, Dragons Sisters – Billboard



Looking for some motivation to get you through the start of another work week? We feel you, and with some stellar new popular tunes, we’ve got you covered.

These 10 tracks from artists like Beach Weather, the Dragon Sisters, Patrick Wolf, Lila Drew, Stevie Bill and more will give you energy to tackle the week. Add any of these gems to your personal playlists – or scroll to the end of the post for a personalized playlist of all 10.



See the latest videos, graphics and new

See the latest videos, graphics and news

Weather at the beach, “Problem with that bed”

Building on his 2016 single “Sex, Drugs, Etc.” recently hit No. 1 On Billboard’s Alternative Airplay chart, three-piece alternative band Beach Weather, made up of members Nick Santino, Reeve Powers and Sean Silverman, are back with a brand new track, “Trouble With This Bed.” The song sees the trio develop their feelings of discontent and loneliness, but under a veil of comforting sunshine. Santino sings about the desire to be joined by a lover to end the agony that comes with sleepless nights, while Powers and Silverman provide hazy guitar work and synth instrumentals upbeat enough for crisp juxtaposition to the lyrics. –Starr Bowenbank

The Dragon Sisters, “Step Back”

The Dragon Sisters rose to the forefront of New York nightlife as the city emerged from its COVID coma, and on new single “Back Down,” the duo demonstrate that their ferocity on stage also translates to the mic. . Over a metal-tinged guitar riff and fast-paced beats, Issa and Odessa Dragon unleash their inner Minaj and tear apart those who are “quick to back down” in the face of opposition. –Joe Lynch

Lila Drew, “Used To”

Born in London and raised in Los Angeles, singer-songwriter Lila Drew expresses a winning curiosity on “Used To”, the opening track of the new album All the places I could be. “Used For” seems like an exciting opening chapter for the project. –Jason Lipshutz

Patrick Wolf, “Enter the Day”

“Enter The Day” marks the first new music from British pop virtuoso Patrick Wolf in 10 years and also coincides with the 20th anniversary of his recording debut. While Wolf’s versatile skills and fascination with the genre have been on display throughout the first decade of his career, his new single is also a reminder that he can just sit down at the piano and sing a wonderful pop song. Wolf’s voice, still his greatest power, still sounds so warm and remarkable on “Enter The Day,” which spans several verses but hammers in the emotional weight during the chorus. – J. Lipshutz

Renée Rapp, “Too good”

It’s a big moment for multi-hyphenate Reneé Rapp, who released her debut EP Everything to everyone last Friday and will star in a new season of the HBO Max series The sex life of college girls later this week. Standout track “Too Well” exudes a wistful charm reminiscent of comedy-drama: Rapp laments, “It sucks, I don’t hate you that much,” as his post-breakup anger gives way to sadness, and she demonstrates a knack for showy hooks as well as thrown details. – J. Lipshutz

Beatenberg, “Symposium”

Cape Town singer-songwriter Matthew Field has wowed listeners in recent months with his solo project M Field, but Beatenberg, the longtime trio he leads with Robin Brink and Ross Dorkin, produces equally ornate pop and sincere. “Symposium” is a lovely intro for new fans, twirling skyward with instrumental stacks while clearing space for Field’s tricky messages. – J. Lipshutz

Stevie Bill, “Poison”

With the release of his first EP Messy, New York-based, Amsterdam-born pop singer Stevie Bill shows off her range with airy tracks like “The Boy Who Cried Love,” which highlights her falsetto, and latest single “Poison,” which explores a more gritty and more thunderous. Inspired by artists from Post Malone to Clairo, Stevie Bill has managed to carve his own path somewhere in the middle. – Lyndsey Paradise

dee holt, “Sober”

The confidence Dee Holt exudes on “Sober” is only amplified by her crisp vocals, as she makes it sound so easy to fire a partner. “Come see me when you’re sober, when you’re getting rid of your personality,” sings the Montreal artist over a creepy, minimal production that backs up the idea that she’s not kidding. – L. Havens

Sault, “Fight for Love”

British music collective Sault, led by producer Inflo, has a knack for fusing jazz, R&B, house and disco. And while “Fight For Love” (excluding new album 11) is a more melancholic version, it hits just as hard thanks to a funky bass line and delicate vocals that gently spill over the song as if no one was supposed to hear them. – L. Havens

Hatchie, “Nose Dive”

The soaring “Nosedive” arrives as the latest from Australian alt-pop artist Hatchie, and with its relentless electro-rock background and the singer’s resonant vocals, it immediately stands out in her catalog. As the production does the heavy lifting, Hatchie weaves around the song, experimenting with her own harmonies and deliveries on each verse. – L. Havens

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