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Boy issues? Carly Rae Jepsen has them in spades on “Beach House,” a cheeky earworm from her upcoming album “The Loneliest Time.” Jepsen uses her tongue-in-cheek sense of humor as she lists the red flags and deal breakers that have marred relationships from “Boy No. 1” to “Boy No. I Can’t Keep Count Anymore “. Amid all the silliness, though (“I have a beach house in Malibu,” one prospect tells her, “and I’m probably gonna hurt you”), the song effectively taps into the romantic frustration of “Groundhog Day” without end. -esque first dates and long-term celibacy: “I’ve been on this ride, this roller coaster is a carousel,” Jepsen sings on the anguished pre-chorus, “And I’m getting nowhere.” LINDSAY ZOLADZ
DJ Khaled with Drake and Lil Baby, ‘Staying Alive’
A questioning, melancholic opening salvo from DJ Khaled’s forthcoming album “God Did,” “Staying Alive” casually nods to the Bee Gees en route to a much less ecstatic place. In this construct, staying alive is an act of defiance, not exuberance. Drake laments ‘This life that lets me take what I want / It’s not like I know what I want’, while in the video he plays a doctor smoking a hookah in the hospital and absently signing records of patients who might need them help reach the title of the song. JON CARAMANICA
Benny Blanco, BTS and Snoop Dogg, “Bad Decisions”
Just as unimaginative as BTS’ breakthrough in English “Dynamite” but somehow less cloying, this collab benefits from the grandfather presence of Snoop Dogg, who at this point in his career still raps like his eyebrow is arched, and he can’t believe what he’s either. is called upon to do. CARAMANIC
The 1975, ‘Happiness’
“Happiness”, the latest single from the eclectic British pop group the 1975, manages to sound both elegant and a bit spontaneous; the dense ’80s-inspired production shines but there’s still enough air circulating to keep the atmosphere well-ventilated. Frontman Matty Healy seems uncharacteristically laid back here, swapping his usual, hyper-referential lyrics for simpler sentiments: “Show me your love, why not?” he sings to an ecstatic chorus that’s catchy without feeling overpowered. The video, directed by Samuel Bradley, is a hoot, finding the band assaulting in all sorts of sleazy, beautifully lit environments — essentially the visual equivalent of the lush saxophone solo that drops in the middle of the song. ZOLADZ
Bandmanrill, ‘Real Hips’
A surprisingly luscious and nimble offering from Newark rapper Bandmanrill that highlights the lines that connect drill music, Jersey club and bass music. CARAMANIC
Panda Bear and Sonic Boom, ‘Edge of the Edge’
Fans of Panda Bear’s beloved 2007 album “Person Pitch” will likely appreciate “Edge of the Edge,” which will look like a sunny collage, which will appear on the band member’s collaborative album “Reset.” ‘Animal Collective with Sonic Boom from Spacemen 3, which will be released next week. “Edge of the Edge” pairs a playful sample of doo-wop band Randy & the Rainbows’ 1963 hit “Denise” with Panda’s serenely melodic vocals, which cut through the carefree pop-psychedelic vibe with a light social critique: ” Can “I’m not saying this is what you bargained for,” he sings, waving a finger at the frenetic escalation of technology, “It’s forever at the push of a button. The song, in contrast, sounds contentedly off the grid. ZOLADZ
Bonny Light Horseman, ‘Exile’
The voices of Eric D. Johnson and Anaïs Mitchell intertwine beautifully on “Exile”, the opening track from folk trio Bonny Light Horseman’s second album “Rolling Golden Holy”. The song is a duet in the purest emotional sense, as Mitchell rushes to finish some of Johnson’s lines and, on the chorus, delivers a warm, glowing harmony that responds to his solitary plea, “I don’t wanna live in exile.” ZOLADZ
YoungBoy Never Broke Again featuring Rod Wave, ‘Home Ain’t Home’
Hip-hop’s two loneliest howlers unite for a meditation on the joylessness of fame. CARAMANIC
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