The latest entry into the Marvel Cinematic Universe, Avengers: Endgame, opens in theaters Friday. We’ve seen the movie and spotted songs from the Rolling Stones, Kinks, Traffic, and Steppenwolf. We won’t spoil the movie at all, but we do tell you the stories behind each of the songs.
1. Traffic, “Dear Mr. Fantasy” (1967)
Although it was never released as a single, “Dear Mr. Fantasy” turned out to be Traffic’s defining song. The track – taken from their first album, Mr. Fantasy – originates from a doodle drummer Jim Capaldi made of a person with puppet hands playing a guitar. Beside, he wrote what became the opening line of the song: “Dear Mr. Fantasy, play us a tune. “
The other members of the group discover the drawing and put music to its lyrics. One day, Capaldi woke up in the chalet where they all lived and recorded the album, and found the others jamming to the new song. According to guitarist and singer Steve Winwood, the loose manner in which it was composed is one of the main reasons why “Dear Mr. Fantasy” crystallized the hippie vibe of the late ’60s.
“The initial spirit of the ensemble has been recorded, which is very rare,” he said. “That was one of the things, because it’s not specifically a great melody or a great chord sequence or whatever. It’s basically pretty simple. It’s very simple lyrics and they are. repeated three times.… It wasn’t half that strong after doing it. It was the weather that gave it a lot of meaning. “
2. The Kinks, “Supersonic Rocket” (1972)
Included for the years 1972 Everyone is in the Show-Biz, “Supersonic Rocket Ship” can be seen as a complementary track to another Kinks single from a few years earlier, “Apeman”. Both songs are about the desire to escape modern problems, but where the protagonist of “Apeman” wants to return to a more primitive world and live in the midst of nature, the narrator of “Supersonic Rocket Ship” wants to escape completely. of Earth, finding a place where “No one will travel second class / There will be equality / And no suppression of minorities. “
Perhaps it was the lyrical theme that inspired Marc Hamill sing the song during the filming of the first Star wars movie. In 2016, Hamill, a huge Kinks fan, took part in a chat with frontman Ray Davies on Everyone is in the Show-Biz and its predecessor, Muswell Hillbillies, in London.
Even though the songs share a false Caribbean groove, “Supersonic Rocket Ship” did not do as well on the charts as “Apeman,” which was a Top 5 hit in the UK and narrowly missed the Top 40 on the charts. The American “Supersonic Rocket Ship” only peaked at 20th place in the UK and completely missed the Hot 100 in the US
3. Rolling Stones, “Doom and Gloom” (2012)
“Doom and Gloom” is Mick Jagger-Keith Richards ‘most recent composition, one of the Rolling Stones’ two 2012 bonus tracks. Grrr! compilation. It’s a bit of a social commentary, with Jagger singing about fracking and the economic crisis and hoping to find relief, as he often does, with a woman. (There is also a reference to the hit HBO series Real blood in the opening verse, for some reason.)
Shortly before the song’s release, Jagger called him “a really hot rocker to dance to, and [it’s] not dark at all! “He later noted that” it was fun and quick to record. “
4. Steppenwolf, “Hey Lawdy Mama” (1970)
Even though it came out in the 1970s Steppenwolf Live, “Hey Lawdy Mama” was actually recorded in the studio and edited into the mix to make it sound like it was part of the gig. It turned out to be one of Steppenwolf’s last Top 40 hits, peaking at # 35 in 1970 (they wouldn’t have had another hit until “Straight Shootin ‘Woman” in 1974). “Hey Lawdy Mama” appears in Avengers: Endgame during a scene in which Stan lee makes it sound traditional – and maybe last – cameo. The song is known to be one of the first to use the talk box, the voice-guitar effect that Peter Frampton and Joe Walsh helped popularize a few years later.